Exhibition - Lockdown in Lancaster and Morecambe:  Walk, Run, Pedal, Push, Map

Lockdown in Lancaster and Morecambe:  Walk, Run, Pedal, Push, Map is now being exhibited at the Peter Scott Gallery, Lancaster University, Lancaster. Projected over two PPE intensive care gowns suspended in the space, the map makes visible the paths we followed from 16 March (start of national lockdown) to the end of July 2020. It builds week by week and shows how our routes accumulated and grew over that period of time.
Tickets are free but due to Social Distancing booking is required. Please visit:

The exhibition is temporarily CLOSED due to the Covid 19 Lockdown.

This is part of Lancaster Arts Walking/Moving/Seeing project in the Breathing Space programme.


Lockdown in Lancaster and Morecambe:  Walk, Run, Pedal, Push, Map

Are you discovering new places and routes to walk, run, pedal or push due to the current stay at home restrictions we are experiencing due to COVID-19? Places and routes that give you a breathing space – mentally, spiritually and physically? If so, please record them and add them to a new artwork, Lockdown in Lancaster and Morecambe: Walk, Run, Pedal, Push, Map

Since the Lockdown, I have been running and walking every day from home. Gradually, I have found and followed new paths that have taken me to parts of Lancaster that I didn’t know were there! I am not alone in these findings and revelations – lots of others have told me they are doing exactly the same as me. Whether it be on foot or bicycle, with pushchair or wheelchair we are still venturing out from home. Those who can’t leave the house, move very far or easily are walking indoors, in yards, squares, gardens, streets and parks. These shorter routes are just as important.

So, can you start recording your favourite lockdown walks and share them with me?

All of the mapped routes will be combined in to a single Lockdown in Lancaster and Morecambe: Walk, Run, Pedal, Push, Map map. This map will then become a bespoke artwork that abstracts and stitches the routes and paths into a made-at-home PPE intensive care gown.

Submitting your route is simple, you can do so either electronically or by hand. Find out how and more here.   

This project is part of Lancaster Arts Breathing Space Programme.

Walks to Remember During a Pandemic: ‘With memory I was there’

Is there a walk that you long to do but can’t due to the current restrictions imposed upon us because of COVID-19? If so, could you make a memory-map of that walk?


The activity of drawing a memory-map is the most important thing – not the finished product. Through remembering you can be transported beyond the physical limits of a room or a house.

Your memory-mapping can be undertaken alone or as a shared activity with others of ALL ages – family, friends, groups. It can be done in person or at a distance. I’ve done memory-mappings via Skype and at times people have drawn a map on behalf of a person unable to mark-make themselves. 

You can create as many memory-maps of as many walks as you wish – this could be a one-off or a daily or weekly activity. Your memory-map can include words, lines, symbols. It can be pictorial, graphic or abstract. It can be drawn in pencil, crayon, felt tip or a combination of materials. 


‘Moments of Being’: Mountain, Cave, Coast

Walking-Performance in rural landscapes. An exhibition by Louise Ann Wilson

 7 – 27 November 2019

Archive Gallery, Heaton Cooper Studio, Grasmere

The exhibition is about how, by using alternative viewpoints and perspectives, Louise’s work invites us to look at the landscape differently in order to transform the way we think about ‘missing’, marginal or challenging life-events. Familiar and much loved sites including mountains, caves and coast, become places where both personal and public issues can be addressed. 

Showing film, photographs, objects, drawings, poems and texts 'Moments of Being’: Mountain, Cave, Coast draws on the body of work Louise has created over the last decade. These works have been staged in the Lake District, Cornwall, Snowdonia, the Trough of Bowland, the Ingleborough Fells, and Morecambe Bay.The exhibition is part of The Kendal Mountain Festival 2019.

Image: Jack Scout (2010). Creators: Louise Ann Wilson and Nigel Stewart. Dancer: Natasha Fewings. Photographer: Nicola Tarr. 

'Moments of Being’ was part of the Kendal Mountian Festival 2019.

It was funded Kendal Mountain Festival, Lancaster University and supported by Lancaster Arts and the Heaton Cooper Studio.

Walking’s New Movement

1-3 November 2019, University of Plymouth                                                    

'With memory I was there’: The Surrogate Walker

At the Walkings New Movement - a conference to discuss the latest developments and future prospects for radical walking - my  paper how memory-mapping processes and surrogate walking can be mobilised to re-member and access physical landscapes that can no longer be walked but are vividly remembered and longed for. 

I explore two interlinked projects: Women’s Walks to Remember: ‘With memory I was there’ (2018-19), in  landscapes people can no longer walk but long-for are remembered and mapped and Dorothy’s Room (2018), an immersive installation created the bedroom at Rydal Mount in which Dorothy Wordsworth was bed-bound.

Performance Research: On Mountains Volume 24, Issue 2

I have an article entitled 'Dorothy Wordsworth and her Female Contemporaries’ Legacy: A feminine ‘material’ sublime approach to the creation of walking-performance in mountainous landscapes' published in the current issue of Performance Research: On Mountains Volume 24, Issue 2.

Issue editors: Jonathan Pitches & David Shearing
ISSN: 1352-8165 (2019) 24:2

The photograph on the front of the journal is from The Gathering / Yr Helfa.

This is an Accepted Manuscript of an article published by Taylor & Francis in Performance Research: On Mountains on 25/7/19, available online:

Landlines: Explorations of Art, Landscape and the Environment

5 – 14 September 2019

Royal Geographical Society, London 

Opening: 4 September, 18:00 – 21:00

As a member of the Wilderness Artist Collective I am delighted to be exhibiting Dorothy’s Room and Women’s Walks to Remember: ‘With Memory I was there’ in Landlines: Explorations of Art, Landscape and the Environment.

The exhibition showcases the work of fifteen artists working in or with landscape and explores the question: What is the role of the contemporary artist in thinking about landscape and the environment in the early 21st century? 

Lunch Time Talk

On Thursday 5 September (12.30pm to 1.10pm) I will be giving a lunchtime talk Remembering in the exhibition space. The event is free but please book a place if you would like to come along. Also, take a look at the other fantastic talks and demonstrations taking place throughout the period of the exhibition.

DISCONSOLATE Mothering Sunday Installation

31 March - 6 April 2019

Lancaster Priory, Lancaster 

Mothering Sunday is for many people a challenging and painful day. In acknowledgement of I have collaborate with the artist Rachel-Ann Powers to create a space in the St. Nicholas Chapel at Lancaster Priory where the absences, lossed and longings experienced around the day can be acknowledged and held. 

Central to the space is a carved wooden chest – the image on the cards is a rubbing from the front of this chest – into which has been placed a semi-opaque print of words inspired by a monument in the chapel. The monument, dedicated by her ‘disconsolate’ parents is ‘Sacred to the Memory of Sybil Elizabeth Wilson.’ The installation has unpacked the word ‘disconsolate’ revealing the deep levels of meaning and feeling held within it. Words that might more fully reflect some of difficult feelings prompted by Mothering Sunday.

The cards are printed with the rubbing from the chest overlaid with the meaning of the word ‘disconsolate’. On the reverse of the card are verses extracted from psalms 22-23 that move us between despair and hope. Offering comfort to those who are ‘unable to be comforted.’

The space is open to all on Mothering Sunday and throughout the following week. 

Photograph: Rachel-Ann Powers

MOVE Exhibition

8 February - 22 March 2019

Peter Scott Gallery, Lancaster University

Dorothy's Room and the Women's Walks to Remember: 'With Memory I was there' booklets I have been creating are being shown as part Lancaster Arts new Move Exhibition.

Move opens at 6pm tomorrow at the Peter Scott Gallery, Lancaster University and runs from 8 February to 22 March 2019.

My work will be shown alongside that of the artists Kathy Hinde, Hannah Catherine Jones, Simone Kenyon and Jen Southern whose work also connects with travel, finding our ways and routes through places and history. 

Move comments on the natural world and landscape linking to ancestry, cultural reparation and the powerful nature of memory.

Photograph: Dorothy's Room.

Photographer: Peter Scott Gallery.


The Lives of Others Symposium

Friday 16 November 2018

The Arts Centre, Edge Hill University

Curated by Tabitha Moses The Lives of Others symposium seeks to investigate the ways in which people and their stories have inspired artists, writers, film makers, musicians, performers and activists. Speakers from a range of disciplines will consider modes of storytelling, the right to authorship and the fine ...

Louise's presentation explores the ‘Lives of Others’ theme from her perspective as an artist and researcher who creates walking-performances in rural landscapes that emplace, re-image and transform ‘missing’, marginal and challenging life-events. She discusses how her work has addressed terminal illness, death and bereavement, infertilityand biological childlessness, coping with change and the effects of ageing. 

Image: The Lives of Others poster showing Investment by Tabitha Moses

Into The Mountains: A Meet

24 November 2018

Tramway, Glasgow

Into The Mountain: A Meet brings together practitioners and enthusiasts interested in the intersections and conversations between the arts, dance, mountain and hill walking cultures. Together we will critically explore through talks, discussions and sessions, how women+ encounter and engage with mountainous environments, considering both historical and current perspectives of gender in relationship to landscapes. We will also delve into the entanglements between dance, mountaineering, contemporary feminist writing, science and multiple arts practices.

In her presentation Louise shows how the writing of the Dorothy Wordsworth and her female contemporaries, including Charlotte Smith and Ann Radcliffe suggests a feminine 'material' sublime ‘mode’ of engaging with landscape that enabled them to see afresh ‘everyday’ objects, people and experiences (including their own) that were ordinarily overlooked or on the edges of social and cultural discourses. 

Photograph of Louise by Erika Stevenson

This Girl Did: Dorothy Wordsworth and Women’s Mountaineering

18 November 2018

Kendal Montain Festival

Brewery Arts Centre Theatre, Kendal

200 years ago, on October 7 1818, Dorothy Wordsworth and her friend Mary Barker climbed England’s highest peak: Scafell Pike. Dorothy’s account is among the earliest surviving accounts of the feat, and was a pioneering event in the history of women’s mountaineering.

At this event, we will premiere a short film created as part of the project This Girl Did: Dorothy Wordsworth and Women’s Mountaineering by the award-winning filmmakers Jago Miller, Richard Berry and Ben Barden, in collaboration with Cumbria-based artist Alex Jakob-Whitworth, the Wordsworth Trust and academics from Lancaster University. The film interweaves a performance piece by Jakob-Whitworth that reimagines Dorothy’s ascent of Scafell with details from Dorothy’s account of the excursion and research on Scafell Pike’s cultural history.

Alongside the film première, this event will feature talks by Joanna Taylor (University of Manchester) on the history of Dorothy’s climb, and Alex Jakob-Whitworth and Louise Ann Wilson on their creative responses to Dorothy Wordsworth’s legacies for walking practices.

Louise's presntation looks at Dorothy's Room and Women's Walks to Remember: "With memory I was there."

Image by Alex Jacob-Whitworth

Performing Mountains: How Do Artists Touch the Void?

17 November 2018

Kendal Mountain Festival

Abbot Hall Centre, Kendal

Film and literature have always been wedded to the mountains but what about the other arts? How have theatre makers, land artists and scenographers interpreted mountains, using the impact of live performance on an audience? What does an artist see in the mountains that the rest of us don’t and how do they reach out to us to share their visions?

This panel of contemporary theatre and arts practitioners, chaired by author of Performing Mountains and Leeds University Professor, Jonathan Pitches, sets out to answer those questions in discussion with internationally renowned playwright, David Greig (Touching the Void and Pyrenees) artists Rob and Harriet Fraser (Somewhere-Nowhere) and designer and theatre maker Dr Louise Ann Wilson (FissureWarnscale, The Gathering/Yr Helfa).

Louise's paper entitled 'Materialising The Void: A feminine sublime approach to mountain walking-performance' explores her use of mountains in her work.

Image: The Gathering by Lousie Ann Wilson

Photograph: Lizzie Coombes

Returning, We Hear The Larks

2-11 November 2018

Light Up Lancaster and Remembrance Week, Lancaster Priory

suffused with grief and yet holding all the promise or resurrection ... the impact was almost unbearably moving

On entering The Priory, visitors were given a red card, bearing the name of one of the 6,500 men from  the Kings Own Lancaster Regiment who were killed. Each cards was placed in the church, ‘spilling out like rivers all around The Priory’ as one visitor put it. A mound of red prayer kneelers and prayer books interlaced with 2,000 hand-made red paper roses was built in front of the altar. A film of the Regiment leaving Lancaster was layered with the two photos of the bell ringers and projected onto an empty chair. The sound of larks and distant church bells hung in the air. Women of the congregation played the part of women who have yearned for their lost loved ones. They adopted stilled gestures taken from a painting of the Last Supper in the Priory, then moved silently to gather at the altar. Meanwhile, the choir sang Rosenberg’s poem Returning, We Hear The Larks set to music by Don Gillthorpe, the Priory Director of Music. 

Photograph: Darren Andrews.

Performer: Ellen Wagstaff.

Skiddaw Excursion: Top Hat Flies Over Edge

29 September 2018

Skiddaw, Cumbria

On 29 September I took part in a re-creation of a walk up Skiddaw undertaken by friends of Dorothy Wordsworth 200 years ago.

The excursion was filmed by Esther Edusi and Katie Usher, their film Top Hat Flies Over Edge 

Photograph of Louise by Jo Taylor

Paper-Rose Workshop

13 and 27 October 2018 

If you would like to be involved in the making of 2,000 paper roses for the Remembrance: 'Returning We Hear The Larks' installation, please join Louise and a team of makers on 13 and 27 October (11.30am.–2pm.) in the refectory at Lancaster Priory.

Remembrance: ‘Returning We Hear The Larks’

2-11 November 2018

Light Up Lancaster, Lancaster Priory

As part Light Up Lancaster 2018, Louise is creating a site-specific performance-installtion at Lancaster Priory entitled Remembrance: 'Returning, We Hear The Larks.'

This work will mark the centenary of the end of World War One, and reflect on lives changed forever by that conflict and the loss of those who never returned home to Lancaster. 

Remembrance: 'Returning, We Hear The Larks' will use artefacts and objects found in and associated with Lancaster Priory in combination with a paper installation of red-roses to create an immersive candle-lit performance-installation involving singers from the Priory choir.

Women’s Walks to Remember: “With memory I was there”

1 September to 23 December 2018

Exhibition NOW OPEN

Wordsworth Trust Museum, Grasmere

Women’s Walks to Remember: "With Memory I was there" is inspired by Dorothy Wordsworth’s Rydal Journals in which she describes “rural sights and sounds” in vivid detail and recollects the landscape and walks she was no longer able to do. It recreates some of Dorothy Wordsworth’s walks and walks that present-day women in the Lake District can no longer do.

Louise has been re-walking each remembered walk and gathering together  ‘treasures’ – hand drawn maps, words, objects, photos – to share with each of the women. These items are currently displayed in the gallery at the Wordsworth Trust Museum together with the original art works that she is developing to reflect her experiences of meeting and walking for these women and Louise's installation entitled Dorothy's Room

Eventually, Dorothy’s walks and those of the present-day women are being mapped to create a network of ‘Women's Walks to Remember’.

Photograph of Margaret Crayston by Louise Ann Wilson

Dorothy’s Room

1 September to 23 December 2018

Wordsworth Trust Museum, Grasmere

Dorothy's Room is now OPEN at the Wordsworth Trust Museum as part of Louise's Women's Walks to Remember: With memory I was there' exhibition.

Please click here to watch a film of Louise in conversation with Melissa Mitchell, curator at the Wordsworth Trust,  about Dorothy’s Room and Women’s Walks to Remember: 'With memory I was there'.

Photograph: Louise Ann Wilson

Creative Adventures in Dementia: Memory Mapping Workshops

The Dukes Theatre, Lancaster

17-18 May 2018

Mapping Workshop (Walks to Remember) with Louise Ann Wilson at the Creative Adventures in Dementia Festival.

In these practical and creative ‘mapping’ workshop participants used simple drawing and writing processes to remember a walk that is significant to them. Over the duration of four-sessions a wonderful collection of very personal maps were created and displayed in a small exhibition.