In 2016 I was awarded a PhD in Theatre Studies from the Lancaster Institute for the Contemporary Arts (LICA), Lancaster University.
My doctoral research, Emplacing, Re-Imaging and Transforming "Missing" Life-Events: A Feminine Sublime Approach to the Creation of Socially Engaged Scenography in Site-Specific Walking-Performance in Rural Landscapes, proposed that by emplacing "missing" life-events—experiences for which traditional rites of passage or ceremonies do not exist—within rural landscape walking-performances, applied scenography can enable participants to reflect upon, re-imagine and transform, even in the smallest of ways, their relationship to those life-events.
The thesis explores the concept of the feminine material sublime and demonstrates how it can inform the creation of socially engaged, site-specific walking-performance. Through this research I developed the Seven Scenographic Principles, which have since become a foundation of my creative practice and continue to underpin subsequent projects and publications.