Dorothy’s Room

Dorothy’s Room

2018–2019, Rydal Mount (and tour)

Dorothy’s Room is an immersive installation inspired by Dorothy Wordsworth’s Rydal Journals in which she describes “rural sights and sounds” in vivid detail: “blue primroses of Alpine purple”; the Robin who became a “singing companion”; “…hail, wind, rain, snow – Oyster Feast”; “bright gleams & startling flashes of sunshine”; hazy bulky mountains among slanting rays of the sun…”

Due, however, to illness, Dorothy became largely confined to her bedroom, relying on memory to transport herself into the landscape she had once walked.
 Her multi-sensory remembering and noticing of the ‘natural’ world enabled her to access the world around her and the past in an immediate and direct way that was therapeutic – a healing process that brought joy and calm and kept her from the “wilderness of her mind”: 

No need of motion, or of strength, Or even the breathing air: –
I thought of Nature's loveliest scenes; And with Memory I was there…

Extract from the poem “Thoughts on my Sick-Bed” by Dorothy Wordsworth.

Dorothy also brought “treasures” into her “quiet” room. The walls were hung with paintings, pots of flowers lined her window ledge, plants grew around her window, which framed the fells she once walked, sunshine and the “sweet sound” of a robin singing entered from the garden.

The installation centres on Dorothy’s sick bed. Objects mentioned in her Rydal Journals nest amid twisted and disordered bed linen stitched with extracts of the later entries including a working-draft of part of her poem, ‘Thoughts from my Sick Bed’. The film brings the walks and landscapes described in Dorothy's journals into the gallery. Drawing on footage recorded whilst re-walking Dorothy's routes, alongside walks that present-day women can no longer undertake, it reflects Dorothy's memories, longings and enduring relationship with the landscape.

Dorothy's Room premiered at Rydal Mount, Ambleside, before touring to The Wordsworth Trust, Grasmere, and later to the Peter Scott Gallery, Lancaster.

I went to see your video installation in the Scott Gallery - how well the spirit of your work simply shone out from it. There was a moment when lit water in the projections fell across the pillow which was so eloquent you hardly needed written exposition. Memorable. 

Visitor, Peter Scott Gallery

Dorothy's Room formed the starting point for later walking works, including Women's Walks to Remember: "With Memory I Was There". Inspired by Dorothy Wordsworth's use of memory to return to landscapes she could no longer walk, I invited women to share memory-maps of walks they themselves could no longer undertake. I then re-walked each remembered route, returning with 'treasures'—film, sound, words, objects and maps—which were distilled into a multi-layered memory book for each participant.

Created and designed: Louise Ann Wilson

Project assistance: David Honeybone

Embroidery: Liz Bagley, Catherine Bartlett, Lois Kirtley and Jean Simpson

Pace eggs: Anne Wills

Film direction: Louise Ann Wilson

Film editing: Janan Yakula

Sound editing: Lisa Whistlecroft

Produced by: Louise Ann Wilson Company Limited

Funded by: Wordsworth Grasmere, the Faculty of Arts and Social Science, Lancaster University, Lancaster Arts at Lancaster University, and wilson+wilson

Supported by: Rydal Mount and the Wordsworth family, and Wordsworth Grasmere

With thanks to:

  • Everyone at Rydal Mount and the Wordsworth family, especially Peter Elkington, Marian Elkington, Hazel Seddon and Nigel Crook.

  • Everyone at The Wordsworth Trust, especially Jeff Cowton, Melissa Mitchell, Poppy Garrett, Susan Allen, Rebecca Turner and John Coombe.

  • Simon Bainbridge, Lancaster University.

  • Jenny Kagan and the late Harold Potter, whose encouragement and inspiration helped shape this project.

Following its premiere at Rydal Mount, Ambleside, Dorothy's Room toured to Wordsworth Grasmere, where it formed part of This Girl Did: Dorothy Wordsworth and Women's Mountaineering (1 September–23 December 2018), an exhibition exploring Dorothy Wordsworth's contribution to women's walking and mountaineering

During this period I was invited to present Dorothy's Room and Women's Walks to Remember as part of the accompanying Kendal Mountain Festival programme.

I was also invited by Melissa Mitchell, Curator at the Wordsworth Trust, to record a filmed conversation exploring the making of Dorothy's Room, Dorothy Wordsworth's later journals, and the relationship between memory, illness and landscape that underpins the installation. 

The installation subsequently toured to the Peter Scott Gallery, Lancaster University, where it was exhibited alongside Women's Walks to Remember as part of the exhibition MOVE. It later travelled to the Royal Geographical Society (with IBG), London, as part of Landlines, the inaugural exhibition of the Wilderness Art Collective, extending the project's exploration of walking, memory and landscape to new audiences. 

During the 2020 Covid-19 lockdown, I was invited to contribute Dorothy's Room and Women's Walks to Remember: "With Memory I Was There" to the British Library's William Wordsworth: From This Green Earth podcast series. Originally planned as a live event, the talk was reimagined as Episode 2: Family, exploring Dorothy Wordsworth's later journals, memory walking, and the ideas that underpin both Dorothy's Room and Women's Walks to Remember. Listen: here

The work also features in RÊVE (Romantic Europe: The Virtual Exhibition), an international online exhibition organised by the European Romanticisms in Association.