Awena Carter
Walk Around the Cwm: "To Walk was My Delight"
Memory-map, words and photographs contributed during Walks to Remember During a Pandemic, May 2020.
Awena Carter's memory-map retraces a walk around Cwm Road near Bedwas in South Wales. Through landscape, industry, language and family history, the remembered walk becomes an exploration of place across several generations.
Walking round the Cwm it was always called, although the Cwm Road really follows the contour of the mountain until it comes to the Cwm Farm, a mountain farm in the cwm, or valley, formed by the Cwm brook, then down the road and home across the fields. Although I walked round the Cwm as a child, and later with Richard and the children, I have set my memory walk in the 1960s when I was in my teens and early twenties and walked it countless times.
As I started to write about this, I began to realise what a diverse range of historical and contemporary socio-economic domains I walked through and I want to call the elements of this range, contrasting, or conflicting, worlds. The first is the world of home, in the village of Bedwas in South East Wales. It’s situated on the north side of the Caerphilly Basin, on the steep lower slopes of Bedwas Mountain, until the land flattens out towards the River Rhymney. Home was (and to my brother still is) 37 Bryn Glas, part of the new council estate where we: my parents; my baby brother and I; and my maternal grandparents; moved in 1950. It was built on what had been known as Church Fields, a hilly site, falling down from the Church and Rectory. The names of the streets reflect this; Bryn Teg: Fair Hill; Bryn Fedw: Birch Hill; Bryn Tirion: Gentle Hill; Bryn Golau: Light Hill. Our street is called Bryn Glas: Green or Blue Hill and runs through the centre of the estate, from the top to the bottom. These place names themselves represent conflicting worlds. Welsh was not much spoken in South East Wales, especially in areas where industry had attracted English workers and workers from Europe; and not many streets in Bedwas have Welsh names. There is: Church Street; St Mary Street; Glebe Street, for example; and there is an estate of Council Houses built between the wars that have street names like Hillside, or The Crescent. Our estate was built on a hill so Bryn would have been appropriate for every street; the names anchor the estate firmly in Wales and reclaim a former world but hardly anyone, apart from my grandfather and my mother, knew what they meant, and I had to look them up.
I’ve represented the estate as bigger than it is, partly to show the impact this change had on me and partly to represent the way that, seventy years later, the estate is still not very beautiful, though there are pockets of prettiness. Pandy Road fields, towards the end of my memory walk, are now built over with houses and I can’t bear to walk there. When it was being developed, I wrote a (very bad) poem beginning:
They’re throwing my childhood into that mixer.
They’re churning it up with best quality sand
and all the beauty through which I wandered
is featureless no-man’s land.
And I suppose many people thought the same about Church Fields when our estate was built.
From our house you could see the large Pit Head site of Bedwas Navigation Colliery, with its winding gear and huge slag heap on the side of the green mountain. The trucks (called drams) of waste travelled slowly along a cable track railway to a waiting crane that up-ended them and spilled the contents. At the Pit Head there was a large coking plant, when the ovens were opened there was a wall of fiery coke that slowly fell into bins and cooled; there was a large coal hopper from which the railway trucks were filled; the bathhouse; the lamp room from where the men collected their hard hats, each with a lamp on the front; and the colliery shop from where my father brought home ice-cream as treat on pay day. There was constant background noise from rumbling rolling stock, and the Tannoy. For my father this was the world of work which set the timetable for our days.
But home was also filled with the contrasting world of music and books. My father was a trained singer and he hurried home if there was a concert he wanted to listen to on the radio; we went to local concerts and to Cardiff to the opera. The sitting room was used by my grandfather as a study where he read, and wrote his sermons. My mother used to write poetry, like her grandfather had, when she was young, before domesticity took over her time, though she was always ready to discuss her favourite books. My mind was fed with stories, art books, my mother’s fascinating childhood encyclopaedia; and my grandmother taught me to count in Welsh.
At the top of Bryn Glas, my memory walk starts to become part of a number of contrasting worlds. First, there was the listed Hen Persondy (The old Parson’s House), the first of three successive Rectories in Bedwas. This 16th Century house found itself at the top of a 20th Century Council Estate and next to a bridge over the mid-19th Century Brecon and Merthyr Railway, busy with steam hauled goods trains, many of them drawing long trains of coal-filled trucks, and with passenger trains that had started from Newport. This highly engineered world, with its cuttings and embankments and the crossing places of tunnels and bridges, sliced through fields and settlements. It was one of the railways which closed in 1962, when Beeching’s axe fell, but before it did, I travelled part of the way to my Grammar School in the Rhymney Valley by steam train, from Bedwas railway station, on the opposite side of the road from the church, along the side of the Southern end of the Rhymney valley, through silver Birch woods with tumbling streams, the valley floor and its close packed miners’ cottages and another colliery, far below.
Turning left over the railway bridge at the top of Bryn Glas, means that the colliery is left behind. A few hundred yards brings me to another cluster of contrasting and conflicting worlds. Across the railway, the north side of St Barrwg’s Church was visible through the trees. The church, dating from the 14th Century, perhaps built on the site of an earlier church, was founded as a chantry for one of the Lords of Caerphilly Castle - he wasn’t Welsh, of course. Before the development of the coal mining industry, Bedwas was a farming community, although farming must itself have changed considerably through the centuries. The coming of coal mining caused two conflicting worlds to collide. The established farmers went to Church; the non-conformist miners built Chapels to worship in: one of the biggest is almost opposite the Church.
Then, facing the church, on my side of the railway, is the old Boys’ School. It was one of the schools built in 1868 with money from a charity set up by the owners of the estate of which the Cwm Farm is part. When I was a child, I was always intrigued by stories of the reunions, sometimes very lively, of the surviving old boys. They gathered annually for a dinner with entertainment, part of which was reading from the old log book. Friends of ours now live in the Old School and have refurbished the schoolroom so that it is part of their house. The same charity also started the old girls’ school in Pandy Mawr Farm, in 1809 and, in 1903, on Glebe land at the bottom of Church street, the schools that eventually were taken over by the local education authority. It was here that I started school, and also started on the long journey of explaining how to pronounce my name.
From the old Boy’s School, the walk becomes very steep. It goes past houses old and new, the last one, high above Bedwas, being the Colliery Manager’s house. It represented a world of power, affluence and a more spacious way of living, with its large house and the frustrating glimpse of the garden. Not long afterwards is the turn from Mountain Road to Cwm Road. There are many trees alongside the road but still places where you can look over the Caerphilly Basin at the contrasting worlds of town and castle, with Caerphilly Mountain beyond.
The Cwm Road, level at first, begins to drop as it rounds the hill, and then you can see the deep cwm, at the bottom of which is the Cwm Farm. A school friend, Pat, lived there with her parents and older brother. One day another friend and I went to see her; she took us to her favourite places on the hill behind the farm where we roamed all the afternoon. Pat’s mother was so thrilled that we had come to spend time with her daughter that she made a great fuss of us and gave us apple tart and cream.
We always talked about the brook and the Cwm Farm, but in earlier times, before industry made English the everyday language, we would have talked of Nant Bwch: Goat, or Buck Brook; and the farm should be Fferm y Cwm Bwch. After leaving the farm, the road twists until it turns into the wide lane called Pandy Mawr, or Great Pandy. A Pandy is a Fulling Mill so there must have been one somewhere on Cwm Bwch, perhaps where it flows faster through a small, gorge. It is now wooded and no apparent trace is left of that earlier world of work.
Before reaching Pandy Mawr railway tunnel, Nant Bwch used to flow past a grassy bank, a rural contrast with the highly engineered tunnel. The bed of the brook was surprisingly sandy there, with small fish darting about and it was lovely to sit there and paddle one’s feet. It’s been tarmacked over for parking now and all that destroyed. But Pandy Mawr railway tunnel, now a Grade II listed building, still has a wonderful echo - everyone shouts as they walk through.
Shortly after this, my walk turns into Pandy Road fields, behind Pandy Road, where I was born. When we were still living there, we used to have picnics by the brook and I remember a lot of paddling. The walk leaves the brook, following a path past an ivy clad ruined tower, looking very romantic. In reality, it was the tower containing the winding gear for Bryn Gwyn (White Hill) drift mine. It was one of the ten mines, large or small in the Caerphilly Basin, until Bedwas Navigation Colliery was sunk and became the main place where coal was won. Near the tower was a hilly mound, covered in grasses and wild flowers, which had been the slag heap; it was great place for playing ‘I’m the King of the Castle’. When the drift mine stopped working, the land around returned to farming, as though one world overcame another. But the worlds of farm and mine still collided: the peaceful fields of grazing cattle were crossed by clear field paths, made firm by the feet of miners, including my father and grandfather, walking to and from the colliery. In my memory walk, I follow their footsteps, climb the steepest field and cross under the railway, on my way home.
I loved the road around the Cwm but I would struggle, now, to walk where it was my delight to go. For years after I left home, if I felt the tug of South Wales, it was the Cwm Road I visualised. We travel to South Wales a number of times a year and one of these is always at Easter time. One year, when the children were small, I was ill and we couldn’t go. The weather was very cold and I was distraught. The memory of the holly trees on the Cwm Road seemed to mirror my bitter mood and I wrote a bad poem with very poor scansion, called This Cold Spring. This is the first stanza:
This cold Spring
the wind, harsh in the holly tree
as leaf rasps leaf, is calling me
and ‘Home, Come Home!’
it cries constantly.
I no longer feel the tug of South Wales as strongly now: the wind has stopped calling me, but still I love to think of walking round the Cwm: And with Memory I was there…
Walking round the Cwm it was always called, although the Cwm Road really follows the contour of the mountain until it comes to the Cwm Farm, a mountain farm in the cwm, or valley, formed by the Cwm brook, then down the road and home across the fields. Although I walked round the Cwm as a child, and later with Richard and the children, I have set my memory walk in the 1960s when I was in my teens and early twenties and walked it countless times.
As I started to write about this, I began to realise what a diverse range of historical and contemporary socio-economic domains I walked through and I want to call the elements of this range, contrasting, or conflicting, worlds. The first is the world of home, in the village of Bedwas in South East Wales. It’s situated on the north side of the Caerphilly Basin, on the steep lower slopes of Bedwas Mountain, until the land flattens out towards the River Rhymney. Home was (and to my brother still is) 37 Bryn Glas, part of the new council estate where we: my parents; my baby brother and I; and my maternal grandparents; moved in 1950. It was built on what had been known as Church Fields, a hilly site, falling down from the Church and Rectory. The names of the streets reflect this; Bryn Teg: Fair Hill; Bryn Fedw: Birch Hill; Bryn Tirion: Gentle Hill; Bryn Golau: Light Hill. Our street is called Bryn Glas: Green or Blue Hill and runs through the centre of the estate, from the top to the bottom. These place names themselves represent conflicting worlds. Welsh was not much spoken in South East Wales, especially in areas where industry had attracted English workers and workers from Europe; and not many streets in Bedwas have Welsh names. There is: Church Street; St Mary Street; Glebe Street, for example; and there is an estate of Council Houses built between the wars that have street names like Hillside, or The Crescent. Our estate was built on a hill so Bryn would have been appropriate for every street; the names anchor the estate firmly in Wales and reclaim a former world but hardly anyone, apart from my grandfather and my mother, knew what they meant, and I had to look them up.
I’ve represented the estate as bigger than it is, partly to show the impact this change had on me and partly to represent the way that, seventy years later, the estate is still not very beautiful, though there are pockets of prettiness. Pandy Road fields, towards the end of my memory walk, are now built over with houses and I can’t bear to walk there. When it was being developed, I wrote a (very bad) poem beginning:
They’re throwing my childhood into that mixer.
They’re churning it up with best quality sand
and all the beauty through which I wandered
is featureless no-man’s land.
And I suppose many people thought the same about Church Fields when our estate was built.
From our house you could see the large Pit Head site of Bedwas Navigation Colliery, with its winding gear and huge slag heap on the side of the green mountain. The trucks (called drams) of waste travelled slowly along a cable track railway to a waiting crane that up-ended them and spilled the contents. At the Pit Head there was a large coking plant, when the ovens were opened there was a wall of fiery coke that slowly fell into bins and cooled; there was a large coal hopper from which the railway trucks were filled; the bathhouse; the lamp room from where the men collected their hard hats, each with a lamp on the front; and the colliery shop from where my father brought home ice-cream as treat on pay day. There was constant background noise from rumbling rolling stock, and the Tannoy. For my father this was the world of work which set the timetable for our days.
But home was also filled with the contrasting world of music and books. My father was a trained singer and he hurried home if there was a concert he wanted to listen to on the radio; we went to local concerts and to Cardiff to the opera. The sitting room was used by my grandfather as a study where he read, and wrote his sermons. My mother used to write poetry, like her grandfather had, when she was young, before domesticity took over her time, though she was always ready to discuss her favourite books. My mind was fed with stories, art books, my mother’s fascinating childhood encyclopaedia; and my grandmother taught me to count in Welsh.
At the top of Bryn Glas, my memory walk starts to become part of a number of contrasting worlds. First, there was the listed Hen Persondy (The old Parson’s House), the first of three successive Rectories in Bedwas. This 16th Century house found itself at the top of a 20th Century Council Estate and next to a bridge over the mid-19th Century Brecon and Merthyr Railway, busy with steam hauled goods trains, many of them drawing long trains of coal-filled trucks, and with passenger trains that had started from Newport. This highly engineered world, with its cuttings and embankments and the crossing places of tunnels and bridges, sliced through fields and settlements. It was one of the railways which closed in 1962, when Beeching’s axe fell, but before it did, I travelled part of the way to my Grammar School in the Rhymney Valley by steam train, from Bedwas railway station, on the opposite side of the road from the church, along the side of the Southern end of the Rhymney valley, through silver Birch woods with tumbling streams, the valley floor and its close packed miners’ cottages and another colliery, far below.
Turning left over the railway bridge at the top of Bryn Glas, means that the colliery is left behind. A few hundred yards brings me to another cluster of contrasting and conflicting worlds. Across the railway, the north side of St Barrwg’s Church was visible through the trees. The church, dating from the 14th Century, perhaps built on the site of an earlier church, was founded as a chantry for one of the Lords of Caerphilly Castle - he wasn’t Welsh, of course. Before the development of the coal mining industry, Bedwas was a farming community, although farming must itself have changed considerably through the centuries. The coming of coal mining caused two conflicting worlds to collide. The established farmers went to Church; the non-conformist miners built Chapels to worship in: one of the biggest is almost opposite the Church.
Then, facing the church, on my side of the railway, is the old Boys’ School. It was one of the schools built in 1868 with money from a charity set up by the owners of the estate of which the Cwm Farm is part. When I was a child, I was always intrigued by stories of the reunions, sometimes very lively, of the surviving old boys. They gathered annually for a dinner with entertainment, part of which was reading from the old log book. Friends of ours now live in the Old School and have refurbished the schoolroom so that it is part of their house. The same charity also started the old girls’ school in Pandy Mawr Farm, in 1809 and, in 1903, on Glebe land at the bottom of Church street, the schools that eventually were taken over by the local education authority. It was here that I started school, and also started on the long journey of explaining how to pronounce my name.
From the old Boy’s School, the walk becomes very steep. It goes past houses old and new, the last one, high above Bedwas, being the Colliery Manager’s house. It represented a world of power, affluence and a more spacious way of living, with its large house and the frustrating glimpse of the garden. Not long afterwards is the turn from Mountain Road to Cwm Road. There are many trees alongside the road but still places where you can look over the Caerphilly Basin at the contrasting worlds of town and castle, with Caerphilly Mountain beyond.
The Cwm Road, level at first, begins to drop as it rounds the hill, and then you can see the deep cwm, at the bottom of which is the Cwm Farm. A school friend, Pat, lived there with her parents and older brother. One day another friend and I went to see her; she took us to her favourite places on the hill behind the farm where we roamed all the afternoon. Pat’s mother was so thrilled that we had come to spend time with her daughter that she made a great fuss of us and gave us apple tart and cream.
We always talked about the brook and the Cwm Farm, but in earlier times, before industry made English the everyday language, we would have talked of Nant Bwch: Goat, or Buck Brook; and the farm should be Fferm y Cwm Bwch. After leaving the farm, the road twists until it turns into the wide lane called Pandy Mawr, or Great Pandy. A Pandy is a Fulling Mill so there must have been one somewhere on Cwm Bwch, perhaps where it flows faster through a small, gorge. It is now wooded and no apparent trace is left of that earlier world of work.
Before reaching Pandy Mawr railway tunnel, Nant Bwch used to flow past a grassy bank, a rural contrast with the highly engineered tunnel. The bed of the brook was surprisingly sandy there, with small fish darting about and it was lovely to sit there and paddle one’s feet. It’s been tarmacked over for parking now and all that destroyed. But Pandy Mawr railway tunnel, now a Grade II listed building, still has a wonderful echo - everyone shouts as they walk through.
Shortly after this, my walk turns into Pandy Road fields, behind Pandy Road, where I was born. When we were still living there, we used to have picnics by the brook and I remember a lot of paddling. The walk leaves the brook, following a path past an ivy clad ruined tower, looking very romantic. In reality, it was the tower containing the winding gear for Bryn Gwyn (White Hill) drift mine. It was one of the ten mines, large or small in the Caerphilly Basin, until Bedwas Navigation Colliery was sunk and became the main place where coal was won. Near the tower was a hilly mound, covered in grasses and wild flowers, which had been the slag heap; it was great place for playing ‘I’m the King of the Castle’. When the drift mine stopped working, the land around returned to farming, as though one world overcame another. But the worlds of farm and mine still collided: the peaceful fields of grazing cattle were crossed by clear field paths, made firm by the feet of miners, including my father and grandfather, walking to and from the colliery. In my memory walk, I follow their footsteps, climb the steepest field and cross under the railway, on my way home.
I loved the road around the Cwm but I would struggle, now, to walk where it was my delight to go. For years after I left home, if I felt the tug of South Wales, it was the Cwm Road I visualised. We travel to South Wales a number of times a year and one of these is always at Easter time. One year, when the children were small, I was ill and we couldn’t go. The weather was very cold and I was distraught. The memory of the holly trees on the Cwm Road seemed to mirror my bitter mood and I wrote a bad poem with very poor scansion, called This Cold Spring. This is the first stanza:
This cold Spring
the wind, harsh in the holly tree
as leaf rasps leaf, is calling me
and ‘Home, Come Home!’
it cries constantly.
I no longer feel the tug of South Wales as strongly now: the wind has stopped calling me, but still I love to think of walking round the Cwm: And with Memory I was there…